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S31 Ep3

Patsy Cline

Premiere: 3/4/2017 | 00:02:10 | NR |

Born Virginia Patterson Hensley in Winchester, Virginia, Patsy Cline (September 8, 1932-March 5, 1963) defined modern country music by using her singular talent and heart?wrenching emotional depth to break down barriers of gender, class and genre.

About the Episode

Features exclusive access to the Cline estate, rare performances and new interviews with Reba McEntire, LeAnn Rimes, Kacey Musgraves, Wanda Jackson, Beverly D’Angelo and others, with narration by Rosanne Cash

Born Virginia Patterson Hensley in Winchester, Virginia, Patsy Cline (September 8, 1932-March 5, 1963) defined modern country music by using her singular talent and heart‐wrenching emotional depth to break down barriers of gender, class and genre. In her music and her life, she set a standard of authenticity towards which artists still strive. After years of hard work to overcome industry gender biases and her own personal hardships and professional missteps, she achieved success, only to have it punctured by uncanny premonitions and her untimely death at age 30. The new documentary Patsy Cline: American Masters premieres nationwide beginning March 4 on PBS (check local listings) during Women’s History Month as part of the 31st season of THIRTEEN’s American Masters series. 2017 marks the 85th anniversary of Cline’s birth.

Narrated by Rosanne Cash, Patsy Cline: American Masters examines the roots of Cline’s impact in both personal and cultural terms to illuminate how she arrived at a pivotal moment in the evolution of American culture and, with Decca Records producer Owen Bradley, synthesized country, pop and rock in a new way to create the Nashville Sound. With exclusive access to the Cline estate, the film features rare performances of such Cline classics as “Walkin’ After Midnight” “Three Cigarettes in an Ashtray,” “Come On In,” “I Fall to Pieces,” “Crazy,” “You Made Me Love You” and more. The documentary also features exclusive archival interviews with Cline’s contemporaries and new interviews with a wide range of artists who have been influenced by Cline: LeAnn Rimes, Kacey Musgraves, Rhiannon Giddens, Wanda Jackson, Bill Anderson, Beverly D’Angelo, Callie Khouri, Reba McEntire, Mickey Guyton, Terri Clark and more.

Cline boldly bucked female conventions of the 1950s with her fashion sense, her decision to divorce, her support of fellow female artists, and her assertive ambition to get opportunities equal to those of her male Nashville peers, such as the same kind of headliner billing and radio airplay, particularly after breaking free of her unfavorable contract with Four Star Records. Six years after her national breakthrough on Arthur Godfrey’s Talent Scouts (CBS, 1957), she died in a plane crash returning home from a benefit performance. Her many posthumous honors include being the first solo female performer to be inducted into the Country Music Hall of Fame, a Grammy Lifetime Achievement Award and a U.S. postage stamp. She was also portrayed in the Oscar-winning feature film Coal Miner’s Daughter (1980) by D’Angelo and in Sweet Dreams (1985) by Jessica Lange.

“It’s been such a privilege to tell the story of Patsy Cline. For me, her story exceeds her musical accomplishments. She is in a rare class of women who simply set out to achieve their dreams and through those efforts left an indelible mark,” said Emmy-nominated director and producer Barbara J. Hall (Song by Song, Titanic: Band of Courage).

“This film goes beyond the jukebox classics to show how Patsy Cline was really a gutsy pioneer,” said Michael Kantor, American Masters series executive producer.

Launched in 1986, American Masters has earned 28 Emmy Awards — including 10 for Outstanding Non-Fiction Series and five for Outstanding Non-Fiction Special — 12 Peabodys, an Oscar, three Grammys, two Producers Guild Awards and many other honors. The series’ 31st season on PBS features new documentaries about Dr. Maya Angelou (February 21), Chef James Beard (May 19) and Chef Jacques Pépin (May 26). To further explore the lives and works of masters past and present, the American Masters website (http://pbs.org/americanmasters) offers streaming video of select films, outtakes, filmmaker interviews, educational resources and In Their Own Words: The American Masters Digital Archive: previously unreleased interviews of luminaries discussing America’s most enduring artistic and cultural giants as well as the American Masters Podcast. The series is a production of THIRTEEN PRODUCTIONS LLC for WNET and also seen on the WORLD channel.

Patsy Cline: American Masters is a production of TH Entertainment LLC. Barbara J. Hall is director and producer. Gregory Hall and Suzanne Kessler are executive producers. Rosanne Cash is narrator. Kris Slava is writer. Jason Lyons is editor. Tom Zaleski is director of photography. Kate Ripley is associate producer. Michael Kantor is American Masters series executive producer.

Major support for American Masters provided by AARP. Additional support provided by the Corporation for Public Broadcasting, Rosalind P. Walter, The Philip and Janice Levin Foundation, Judith and Burton Resnick, Ellen and James S. Marcus, Vital Projects Fund, Lillian Goldman Programming Endowment, The Blanche & Irving Laurie Foundation, Cheryl and Philip Milstein Family, The André and Elizabeth Kertész Foundation, Michael & Helen Schaffer Foundation and public television viewers.

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QUOTE
"She is to country music what Ella Fitzgerald and Billie Holiday are to Jazz or what Aretha Franklin is to soul."
TRANSCRIPT

Next up is a young lady who's the hottest thing in country music these days. She's taking her music to the Hollywood Bowl, Carnegie Hall, and is one of the finest voices in America. Here she is singing one of her big, big hits: Miss Patsy Cline. [singing: crazy] She definitely crossed genres and boundaries.

She came through it - the car wreck, the bad marriage - I mean, the poverty she lived in - she had to give up school and go to work. All of those things made her what she was. The fact that this song still today resonates with so many people - it's insane really, to think, that a song lives on for so long. I was cast to play her with very little experience. Patsy Cline had the most profound effect on my life of anybody I never met.

I'd go out walking, after midnight. My grandmother did realize that mom did have talent but I don't know she ever knew just how much talent was there. It would have been amazing to have seen how she would have developed. Yeah we got cheated out of that.

Anybody cares to shake a leg, go ahead. We don't care which one it is.

She was just kind of a tough girl, you know, singing these really sensitive songs so it's kind of a cool juxtaposition there.

Like I feel like you could go out and have a drink with her but she could also like, beat your ass.

[music] [singing: down by the riverside] You have this singer from the other side of the Atlantic back then, and transcends all boundaries.

It was more than good - there was something there that set her apart and you can't describe it. Or I can't. Her voice is kind of the beginning of it for me.

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